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References
Week 1/2
Week 3
Week 4
Week 5
Week 6
Week 7
Week 9
Week 10
Week 11
Week 12
Week 13
Week 14
Week 15
1. Alpañés, Enrique. "The Science of Dance: At the Nightclub, We Synchronize Like a Flock of Starlings." El País, June 24 2024, Neuroscience. https://english.elpais.com/science-tech/2024-06-24/the-science-of-dance-at-the-nightclub-we-synchronize-like-a-flock-of-starlings.html.
2. Gabriel, Damien, Julie Devos, Sandrine Chapuis, Alexandre Comte, and Pierre-Edouard Billot. "Watching Live Performances Enhances Subjective and Physiological Emotional Responses Compared to Viewing the Same Performance on Screen." IBRO Neuroscience Reports 19 (2025): 381–90. https://doi.org/10.1016/j.ibneur.2025.08.002. https://doi.org/10.1016/j.ibneur.2025.08.002.
3. Gadir, Tami. "Dance Music and Flow." In The Cambridge Companion to Electronic Dance Music, edited by Hillegonda C. Rietveld and Toby Young. Cambridge Companions to Music, 295–310. Cambridge: Cambridge University Press, 2026.
4. Kaiser, Gerrit. "Audience Participation in a Dance-Club Context: Design of a System for Collaborative Creation of Visuals." Nordic Design Research Conference, Nordes, 2007/5/27 2007.
5. Mazierska, Ewa. "Improvisation in Electronic Music—the Case of Vienna Electronica." Open Cultural Studies 2 (12/13 2018): 553–61. https://doi.org/10.1515/culture-2018-0050.
6. Peryl. "[Music & Interview]: Peryl." September 4, 2019. https://novafuture.blog/2019/09/04/music-interview-peryl/.
7. Smith, Mark. "The Art of Production: Rrose." Resident Advisor, March 10, 2020. https://ra.co/features/3619.